Pre-writing and Planning: Give Me a Plot Outline

Something, something, something, plot.

So, continuing my series on pre-writing and planning, today I’m going to talk about planning out your plot. You might like to check out the other posts in the series, on character and conflict. That shit will probably factor into this shit.

By now you should have created a few main characters–at the very least, you should have established your protagonist and antagonist as well as a few central supporting characters. You should also know the conflict of the story. If you’re working at a novel, you should have a couple different conflicts. Now it’s time to tie it all together.

Think back to English class, probably grade school. Remember the story arc? Your teacher might have called it plot mountain or something silly like that. Your teacher probably didn’t call it the “male-ejaculatory arc” but that’s a pretty accurate name for it. Here’s a picture:

I'm no artist, but it looks like a money shot to me.

The X, of course, marks the climax or highest point of tension. To the left of the X, then, is rising action; to the right, falling. Yeah, yeah, yeah, you know that already. But this arc is, like its name implies, one-and-done and boring. Sure, this is great for quickies like short stories or dramatic scenes in your larger story, but your novel should have more of a multiple-orgasmic arc. Rise to a climax, then more rising and another climax, and so on.

Aw yeah, that's the stuff.

Your readers are now quivering and biting their bottom lips. Each climax should be followed by a bit of falling action to release the tension that was built up. Then, start building towards the next climax. Set up the stakes (if you haven’t already) and put them at risk.

In the outlining stage, what you should be doing is planning out the major events along that timeline. The climax of each act is, obviously, an important plot point. But you should also plan out the events of each act. What leads to the climax? Why does the climax happen or why is it a climax? These are the biggest scenes of each act; these are the dramatic scenes that add to the overall suspense of the story. If your story had a highlight reel, you want to plan the scenes it would feature. Don’t write the scenes out or anything, just make quick notes detailing what needs to happen in each scene. Include any relevant emotions your characters and/or readers should feel.

Each act should build off of the previous acts. Obviously, what happens in act one is going to influence acts two and three and so forth. Use this knowledge to your advantage when plotting. If act one’s climax was Mary having an abortion, act two will probably deal with the emotional and physical repercussions of that. And those will build to the climax of act two, which will inform the rising action of act three, and–you get the picture.

From this, write a list of things you need to establish or build to for each act. These don’t need to be scenes; rather, they should be elements of the story. Here are reminders of what each scene should be about in a particular act. This will help you keep on track when you’re actually writing. It will also help you editing: If a scene isn’t contributing to what you’re trying to say, you know you need to cut or change it. In the notes for my novel, I have between five and eight major points for each act. I’ve added more as I’ve been writing (because a story grows as your characters play it out,) but largely I follow the guidelines I set out for myself.

And that’s just what all this planning amounts to: guidelines. Everything you plan out, from characters to plot to setting, is a reference point. It’s a map through your story. You wouldn’t wander into the woods without a map (unless you’re a pretty damn experienced navigator.) Why walk into your story without one? You can stray off the beaten path, creating new and alternate paths, but having that map keeps you from getting irredeemably lost.

That about wraps up my pre-writing and planning series; I’ve covered the things I do and how I do them. If anyone else has something they’d like to add, I welcome the commentary.

-Austin

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7 responses to Pre-writing and Planning: Give Me a Plot Outline

  1. Albert Berg says:

    I’m what they call a pantster at heart, but even I know the importance of preplanning. Outlining or note cards may not be my thing, but if I’m going to create a compelling story I’m going to need to understand the principles outlined here.
    I never start writing a clear idea of where I think the story is going, and having some handle on the characters. I may still uncover things I didn’t anticipate or plan for and that’s fine, but if I lose sight of the structure and goal of my work I’m going to be seriously screwed.
    Great post!

    • atwulf says:

      Thanks! I have been a pantster (or pantser?) in the past–I might to an extent still be–but one thing I’ve learned from working on my current novel is that planning makes writing a whole lot easier. At least for me. I feel like my first act, which is almost finished, is a lot more focused. Hell, in the past I couldn’t discern when the first act was going to end until it did.

  2. Murphy says:

    Crap! I think I covered my thoughts on conflict – carry-over- in comments in your other post. So, I’ll just say, great visual with the arc on this one. The concept of orgasm versus multiple orgasm, really brought it home for me. :)

    Murphy

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  4. Jessi says:

    Nice post, had me laughing and thinking, which is always the best way to learn. True stuff though. I kind of put my story on the back burner as I’m collecting advice and reading through books on the craft. I began it as my own mini version of NaNoWriMo, but it was totally a pantser process. Now, I’m stuck with what happens to my protagonist, so instead of pounding out the word count, I’m spending time doing the brainstorming and plotting I should’ve started out with. Thanks for the hilarious know-how.

  5. Mike says:

    I love the vividness, the humor, the honesty…quite frankly, everything. :)

    Well done.

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